Resilience 7.2-3 (Spring-Fall 2020)

Resilience 7.2/3

Special Issue: Climate Realism

Guest Editors: Lynn Badia, Marija Cetinić and Jeff Diamanti

Introduction: Climate Realism: The Aesthetics of Weather, Climate, and Atmosphere in the Anthropocene” by Lynn Badia, Marija Cetinić and Jeff Diamanti

“A Newfoundland Treasury of Terms for Ice and Snow: A Lexicon and Photographic Essay” by Marlene Creates

“Metaphysics of Abstraction: Speculative Photographs in the Anthropocene” by Bruno Lessard

“The Natural and Unnatural Histories of Patricio Guzmán” by Graig Uhlin

“Weirding Climate Realism in Sunshine and Ex Machina” by Selmin Kara and Cydney Langill

“Listening to and Composing with the Soundscapes of Climate Change” by Kate Galloway

“Ecocomplicity and the Logic of Settler-Colonial Environmentalism” by Chris Malcolm

“Fog, Coal, Capitalism: Dickens’s Energy Atmospherics and the Anthropocene” by Thomas A. Laughlin

“‘The Scientist as Hero’: Representing Climate Science as Politics in the Mars Trilogy” by Brent Ryan Bellamy

“Time Is Melting: Glaciers and the Amplification of Climate Change” by Melody Jue and Rafico Ruiz

Signaling through the Waves: Essays on 36.5 / A Durational Performance with the Sea, by Sarah Cameron Sunde

36.5 / Akumal Bay, 2014

“The Work” by Sarah Cameron Sunde

36.5 / Bodo Inlet, Kenya, 2019

36.5 / San Francisco Bay, 2014

“Introduction” by Una Chaudhuri

36.5 / North Sea, Netherlands, 2015

“Memorial” by James E. Young

36.5 / Bay of All Saints, Brazil, 2019

“Standing” by Stacy Alaimo

36.5 / Bass Harbor, Maine, 2013

“Risk” by Martin Harries

36.5 / Bodo Inlet, Kenya, 2019

“Wet” by Nils Van Beek

36.5 / North Sea, Netherlands, 2015

“Sensors” by Stefan Helmreich

36.5 / Bay of Bengal, Bangladesh, 2017

“Freedom” by Peggy Phelan

36.5 / Bay of All Saints, Brazil, 2019

“Reflections” by Sarah Cameron Sunde